Judged as its own entity, Pink's debut is quite strong, even if it isn't perfect.
If Can't Take Me Home pales next to Fanmail, it's not Pink'sįault, nor is it because the album is sub-par it's simply because itįollows in the footsteps of a record that's as close to a modern classicĪs contemporary soul gets. To use a skittering, post-jungle rhythm for the bedrock of these savvy,Ĭlub-ready dance-pop productions - a sound exploited expertly on TLC's record. Reid andīabyface were the executive producers for both albums, and they decided It may be hard to listen to Pink's debut album Can't Take Me Home without hearing TLC, Strong album, and one of the band's best. Three-song suite that tends to plod along at times, but overall this is a "The Hunter." Some of the momentum is lost with "The Suffering," a Is the album's true highlight, most notably on the dual harmonies of Singer Matthew Barlow is impressive throughout but the remarkable interplay between Schaffer and lead guitarist Randall Shawver "Violate" provides the first taste of a double kick drum. The title track and the excellent "I Died for You" before the furious Laid-back, non-thrashy mood, the songwriting of leader and guitarist Jon Schaffer Though most of the album poses the band in an uncommonly Is a concept album based on the popular Todd MacFarlane comic book 666 succeeds in pleasing everyone, whether they're into rock or pop.Ĭontains 1 bonus track and 11 tracks total.Īs the cover artwork would suggest, Iced Earth's fourth album, 1996's The Dark Saga, "Don't Fear the Reaper" intriguingly reduces the volumeĪt the end of the album and the female vocals and piano add hopeful does have a sense for dynamics instead of playing just quiet or loud, which is pretty typical of H.I.M.'sĬontemporaries. "Wicked Game," especially, is somehow even better than Isaak's original version, or at least it proves that H.I.M. In fact, H.I.M.'s versions of Chris Isaak's "Wicked Game" and Blue Öyster Cult's "Don't Fear the Reaper" are very idiosyncratic and fit very well on Greatest Lovesongs, Vol. Songs such as "The Beginning of the End" and "It's All Tears"Ĭan do a lot better than their poor single track "When Love and DeathĮmbrace." Two cover songs on a nine-track debut album might be too much,īut Ville Valo seems to beg the difference. Love-oriented lyrics the music itself combines metal with '80s rockĪnd some goth influences, and the album as a whole has a very diverse H.I.M.'s stigma of so-called "love metal" is actually undeserved and relates only to Ville Valo's Outlandos D'Amour (1978) – Reggatta de Blanc (1979) – Zenyatta Mondatta.You wouldn't expect a lot from a band whose debut album is entitled Greatest Lovesongs, Vol.
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